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■No.1 Deep Comp G:Sugi Guitars DS496 / Amp:Marshall JMP-1 / PU:bridge |
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RATIOを高くセットした深いコンプレッション独特のサウンドを作り出すセッティング。 深いコンプでも原音の持つニュアンスを崩さないCP-9Pro+ならではなサウンド。 Provides unique sound of deep compression by turning RATIO control fully clockwise. The nuance of original sound is not spoiled even in deep compression. |
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■No.2 Cutting G:Sugi Guitars DS496 / Amp:Marshall JMP-1 / PU:neck+centre |
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クリーン系カッティングのツブを揃えサウンドにまとまりを与えるセッティング。 THRESHOLDレベルで原音のアタック感とのバランスを取る。 Setting to even output of the attack of cutting in clean sound. To get a balance with the attack of original sound, turn the THRESHOLD knob. |
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■No.3 Fingerstyle Bass B:Fender Jazz Bass / Amp:Marshall JMP-1 |
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ベースのフィンガー・ピッキングのツブを揃えるリミッター的なセッティング。 (THRESHOLD/GAINはベースの出力に合わせセット) Setting for even attack of finger picking. THRESHOLD and GAIN knobs should be adjusted according to output of bass guitar. |
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■No.4 Slap Bass B:Fender Jazz Bass / Amp:Marshall JMP-1 |
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ピーク成分の多いスラップ・フレーズへのコンプ・サウンド。 コンプレッションを深めにセッティングしアタックとレベルを揃えている。 (THRESHOLD/GAINはベースの出力に合わせセット) Setting to compress slap phrase which has a lot of peak levels. Attack level balances with other level with much compression. THRESHOLD and GAIN knobs should be adjusted according to output of bass guitar. |
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■使用機材■ | |||
Sugi Guitars DS496 | Fender Jazz Bass | Marshall JMP-1 | |
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Sound clips by Shiro Tanigawa | |||
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© 2008 NISSHIN ONPA CO., LTD. |